The Science of the Renaissance and the Song of an Extinct Sea Monster

What might it mean when it is discovered that a strange, grotesque, extinct marine ammonite was able to send evolutionary information across 20 million years of space-time to influence the design of a modern seashell creature? A clue to answer the question could well be that it appears to have been designed to float upright, suggesting an evolutionary process better understood in the days of ancient Greece than by modern science. Nipponites Mirabilis, Stone from Japan, had a primitive, snake-like and twisted shell from which emerged a small squid-like creature that slowly floated in an ancient sea to catch its food. The evidence that the ancient Greek science of life could have been correct overwhelmingly holds that Darwin’s evolutionary theories appear to be outdated.

During the 1980s, the leading Italian scientific journal, Il Nuovo Cimento, published articles written by Australian Center for Science-Art mathematician Chris Illert, in which he was able to generate simulations of seashells indistinguishable from color photographs of the shell. alive marine. By reducing the harmonic structure of the relevant formula he had built, a simulation of the creature’s ancestor fossil was generated. By reducing the formula to a minor harmonic, a weird, compacted, tube-shaped fossil simulation was obtained.

The grotesque design of the seashell was identified by the Smithsonian Institution as an accurate simulation of Nipponites Mirabilis. Illert became the first person to show that extinct ammonite had been able to transmit design information across 20 million years of space-time to influence the design of a living creature. His discovery of optics was reprinted in 1990 by the world’s largest technological research institute as a major discovery from 20th century literature.

Illert’s mathematics was associated with the geometries of the Renaissance and at that time considerable controversy arose. Some scholars, such as the late Dr. George Cockburn, a London Royal Medical Fellow, proposed that evolutionary logic belonged to the universal space-time logic of fractal geometry. This was not a popular idea because mainstream science was, and still is, governed by Einstein’s main law of all science. Although the infinite logic of fractal geometry is quite acceptable to modern science, all life in the universe must be destroyed, a death sentence demanded by Einstein’s worldview. Dr. Cockburn of the Science-Art Center, quite familiar with Chris Illert’s research, devoted the rest of his life to linking artistic creative thinking with the workings of universal fractal logic. Cockburn’s optical theories led to a modification of Leonardo’s Theory of All Knowledge, which successfully demonstrated that Darwinian theories of the life sciences were based on false assumptions.

Leonardo da Vinci considered the eye to be the key to obtaining all knowledge, a concept that Plato considered to belong to barbaric engineering, because such principles ignored his spiritual principles of optical engineering. The engineer Buckminster Fuller based his synergistic life energy discoveries on Plato’s investigation of ethical optics. Fuller’s work was built on a fractal mathematical logic consistent with Cockburn’s published medical research. Fullerene logic now supports a new fractal logic of life science chemistry endorsed by the three 1996 Nobel Laureates in Chemistry.

Leonardo’s theories were modified because, when the sperm comes into contact with the liquid crystal membrane of the ovum, the eye does not exist and life is instigated through the operation of the logical fractal optics of the liquid crystal. This discovery linked the human evolutionary process to ancient prehistoric life forms whose fatty acids had sometimes combined with minerals to form liquid crystal soaps which, when influenced by cosmic X-radiation, grew into crystalline formations that exhibited some associated fractal functioning. with human evolution.

The discovery of a fractal evolutionary information transfer from a tiny extinct marine creature across 20 million years of space-time indicated an aspect of fractal life science intelligence far beyond Darwinian evolutionary theory. It is also far beyond the primitive technology of modern science, yet it is consistent with the principles of Platonic spiritual engineering now associated with a new life science chemistry. The human sphenoid bone vibrates with the same seashell life energy forces used by Nipponities Mirabilis to help advance the evolution of fractal logic. Human vibrations are in contact with the seashell design of the human cochlea, designed not to keep a creature upright in the water, but to keep humans upright on land.

Dr. Richard Merrick of the University of Texas has adequately researched and developed the electromagnetic fractal logic of life that is found at work within human creative brain mechanisms. This operation can be considered established by the liquid crystal programming of the sphenoid. Dr. Merrick’s work is associated with the life science fractal worldview of the Music of the Spheres of Pythagoras, which can be considered associated with the life force song sung by Nipponites Mirabilis. To develop human survival technology, we can now ask the sphenoid where it wants to go. From the humanoid fossil record, each time the sphenoid changes shape, a new species emerges. Applying knowledge about harmonic music sung by a grotesque little sea monster floating in an ancient sea near the Japanese coast, we can consider a futuristic supra-technology that links us to a reality 20 million years in the future.

© Professor Robert Pope

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