Science-Art and Cancer Research

Human evolution has been one of continuous cycles of conflict between various mythological gods, some tribal and others belonging to great civilizations. The making of beautiful artifacts dates back to periods of human creativity that waxed and waned. The great cities arose only to become the ruins of antiquity, as weapons of destruction and slavery evolved to chart the course of human destiny. Charles Darwin’s survival of the fittest theories were based on a scientific definition of these energies of constant destructive chaos. Darwin thought they belonged to the demographic theories of the Reverend Thomas Malthus, director of the East India Company, which was waging a war of supremacy against the rivals of the British Empire. Darwin’s famous voyage on the Beagle was under the patronage of the East India Company.

Darwin’s definition of chaos energy was based on the laws that govern the operation of steam engines, food being the fuel that maintains the human heat engine. Darwin, an employee of the East India Company, considered that his economic policies should ensure continued access to food, ensuring the biological growth of the Empire. Henry Cole, the driving force behind the Great Exhibition of 1851, under the patronage of Queen Victoria, declared that England needed to study the straight-line geometric structure of chaos energy. This became the basis of British science education throughout the world. During the 20th century, quantum mechanics developed from the logic that represented the energies of chaos, based on this straight line geometry.

When the fuel that powers a steam engine runs out, it stops working. Heat from the universe was considered to radiate out into cold space, until eventually, in several billion years, it would become so cold that all life in the universe must be destroyed. This scientific obsession, which demands a state of total destructive chaos, is inherently cancerous. The mathematician Georg Cantor called it a ‘myopic fear of infinity that dwells in the scientific mind’.

This prevailing obsession can manifest medically as a severely unbalanced mental state of confusion. Extremist religious fanatics now threaten Western civilization. This indicates a repetition of the old cycle, conflict associated with an unbalanced economic and technological mentality. During the 21st century, ‘information energy’ was discovered. This works as a reversal of the energy of the heat flow from hot to cold. Carbon has the property of generating this information, in order to conserve universal energy, avoiding its radiation into cold space. Humans, as a carbon-based life form, may not necessarily be evolving toward extinction, a concept that completely defies the prevailing universal law of heat death that governs Western culture.

Solid scientific evidence is required to bring this matter into a logical approach. First, Western science assumed that Newton’s theory of gravitational force belonged to the workings of a clockwork mechanical universe. In fact, his mechanical description of the universe was balanced by the little-known published gravitational theories of him. These Platonic theories belonged to the concept of an infinite universe, in which vital energy evolved to infinity. The prevailing 20th century understanding of quantum mechanics was based on the false assumption that all life must die out in ‘universal atomic decay’.

The optimal biological growth and development of seashell life forms through space-time can be generated by infinite Platonic mathematics. Conventional mathematics can only generate distorted futuristic simulations, making it a cancerous concept inhabiting the mind of modern science, as Georg Cantor had predicted.

Second, they discovered how to prove that the human mind is programmed to exist within an infinite universe, in order to avoid extinction. During the Golden Age of Danish science, the philosophers Immanuel Kant and Emmanuel Levinas considered that the development of Platonic infinite ethical wisdom was caused by a creative asymmetric optical electromagnetic phenomenon, operating within the mind. By viewing infinite computer-generated fractal images through lenses that exhibit asymmetric electromagnetic optical properties, stereoscopic images emerge. The patent document for the glasses contained optical information relevant to cancer research, and also noted that Cezanne, Van Gogh, and a few other great artists had intuitively painted the same stereoscopic properties into their paintings.

This information has serious consequences. Quantum mechanics has obviously been built on a false assumption, which shows that Western science has been built on a pretentious death cult logic by sentencing all life to extinction. The emotion molecule is known to consistently improve cellular health through a process that involves infinite fractal logic, defying the law of heat death that governs prevailing modern economic and technological logic. The evolutionary cycle of human chaos belongs to a primitive state of mind unable to protect itself from extinction. Aristotle’s science to guide the ennobling government for the health of the universe, in order to prevent extinction, becomes the solution within a new medical science of cancer research and with it the new associated omnitechnology.

In 2002, Harvard University, the University of Massachusetts and the Royal Danish Consulate held an international symposium to explain to the world the social significance of the Danish Golden Age of science. They noted that most of the research had been written in Danish, not translated, making it invisible to English-speaking academics. However, the leader of the Golden Age, the discoverer of the electromagnetic field, the theories of Science-Art of Hans Christian Orsted had been translated. The lost message, demonstrating non-cancerous optimal biological growth and development through space-time, through artistic creativity, is now visible to English-speaking scholars.

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